“Chen Chieh-jen: A Field of Non-field”
Long March Space
“A Field of Non-field” will be the second solo show of Chen Chieh-jen to be held in Long March Space after 7 years. >> Read more
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“Chen Chieh-jen: A Field of Non-field”
Chen Chieh-jen participates in the 2nd Kochi-Muziris Biennale
Chen Chieh-jen's Realm of Reverberation (2014) participates in the 2nd Kochi-Muziris Biennale curated by contemporary artist, Jitish Kallat, with the theme of "Whorled Exploration". >> Read more
Ran Dian Statement
(中文) 陈界仁先生（下文均用陈先生代替）对卞卡（下文均用卞代替）发表在《燃点》的《现实、诗学和谱系，然后呢？》一文的指控，我们感到遗憾。 >> Read more
Reality, Poetry, Hierarchy, and Then…?
Chen Chieh-jen’s new exhibition “A Field of Non-field” is a show that demonstrates refinement, not only in its sleek, grey visual effects, but also in the artist’s work combing through and neatly displaying the contextual relationships that exist between every single element in the exhibition—and on top of this, all of it done to the tune of his concise aesthetic temperament: solemn, neutral, calm. >> Read more
Discordant Harmony
Observations of Artistic Practices in East Asia at the Transition between the 1980s and the 1990s
Beijing Inside-Out Art Museum
Beijing Inside-Out Art Museum Opening: 3:30 pm, November 4, 2017 Exhibition Dates: November 4, 2017 – February 4, 2018 Curators: Chien-Hung Huang, Yukie Kamiya, Sunjung Kim, Carol Yinghua Lu Organizers: Beijing Inside-Out Art Museum, Goethe-Institut China Supported by Beijing Inside-Out Art Foundation, Beijing Goldstone Law Firm Discordant Harmony is a critical response to the notion of […] >> Read more
Chi-Wen Gallery
Founded in 2004 by Chi-Wen Huang, Chi-Wen Gallery is one of Taiwan's leading galleries, showing the best of contemporary Taiwanese art with a focus on video and photography. >> Read more
Scene / Asia – Movements Toward Active Spectatorship
Scene / Asia is a dynamic platform for enabling active interaction with multiple scenes in Asia: >> Read more
What, and How to Forget?
Review of the 2016 Taipei Biennial “Gestures and Archives of the Present, Genealogies of the Future”
As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more
Twisted, Knitted, Knotted, Stretched…the Second Hangzhou Triennial of Fiber Art
This edition of the triennial showcases the expanded field of not only fiber art, but more importantly the international reach of contemporary art in Hangzhou, which seems to be still basking in the afterglow of global G20 summit. >> Read more
The China Canon—The Sigg Collection in Bern and Hong Kong
It is a curious historical fact that such a small and distant country as Switzerland has had such a profound impact on the development of art in China, especially at this moment of China’s greatest economic and cultural transformation. >> Read more
